BiblioVault - Books by Martin, W.

Black Leaders of the Nineteenth Century

Edited by Leon Litwack and August Meier

University of Illinois Press, 1988

Eleven-Inch

Michal Witkowski

Seagull Books, 2021

What does it take to succeed as a queer teenage Eastern European sex worker in the 1990s? Eleven inches and a ruthless attitude.

Western Europe, shortly after the fall of the Berlin Wall: Two queer teens from Eastern Europe journey to Vienna, then Zurich, in search of a better life as sex workers. They couldn’t be more different from each other. Milan, aka Dianka, a dreamy, passive naïf from Slovakia, drifts haplessly from one abusive sugar daddy to the next, whereas Michał, a sanguine pleasure-seeker from Poland, quickly masters the selfishness and ruthlessness that allow him to succeed in the wild, capitalist West—all the while taking advantage of the physical endowment for which he is dubbed “Eleven-Inch.” By turns impoverished and flush with their earnings, the two traverse a precarious new world of hustler bars, public toilets, and nights spent sleeping in train stations and parks or in the opulent homes of their wealthy clients. With campy wit and sensuous humor, Michał Witkowski explores in Eleven-Inch the transition from Soviet-style communism to neoliberal capitalism in Europe through the experiences of the most marginalized: destitute queers.

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Out of One, Many Africas

Reconstructing the Study and Meaning of Africa

Edited by William G. Martin and Michael O. West

University of Illinois Press, 1999

Even as symbols of Africa permeate Western culture in the 1990s, centers for the academic study of Africa suffer from a steady erosion of institutional support and intellectual legitimacy. Out of One, Many Africas assesses the rising tide of discontent that has destabilized the conceptions, institutions, and communities dedicated to African studies. In vibrant detail, contributors from Africa, Europe, and North America lay out the multiple, contending histories and perspectives that inform African studies. They assess the reaction against the white-dominated consensus that has marked African studies since its inception in the 1950s and note the emergence of alternative approaches, energized in part by feminist and cultural studies. They examine African scholars' struggle against paradigms that have justified and covered up colonialism, militarism, and underdevelopment. They also consider such issues as how to bring black scholars on the continent and in the diaspora closer together on questions of intellectual freedom, accountability, and the democratization of information and knowledge production.
By surveying the present predicament and the current grassroots impulse toward reconsidering the meaning of the continent, Out of One, Many Africas gives shape and momentum to a crucial dialogue aimed at transforming the study of Africa

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The Yale Critics

Deconstruction in America

Jonathan Arac, Wlad Godzich, and Wallace Martin, Editors

University of Minnesota Press, 1983

The Yale Critics was first published in 1983. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

A heated debate has been raging in North America in recent years over the form and function of literature. At the center of the fray is a group of critics teaching at Yale University—Harold Bloom, Geoffrey Hartman, Paul de Man, and J. Hillis Miller—whose work can be described in relation to the deconstructive philosophy practiced by French philosopher Jacques Derrida. For over a decade the Yale Critics have aroused controversy; most often they are considered as a group, to be applauded or attacked, rather than as individuals whose ideas merit critical scrutiny. Here a new generation of scholars attempts for the first time a serious, broad assessment of the Yale group. These essays appraise the Yale Critics by exploring their roots, their individual careers, and the issues they introduce.

Wallace Martin's introduction offers a brilliant, compact account of the Yale Critics and of their relation to deconstruction and the deconstruction to two characteristically Anglo-American enterprises; Paul Bove explores the new criticism and Wlad Godzich the reception of Derrida in America. Next come essays giving individual attention to each of the critics: Michael Sprinker on Hartman, Donald Pease on Miller, Stanley Corngold on de Man, and Daniel O'Hara on Bloom. Two essays then illuminate "deconstruction in America" through a return to modern continental philosophy: Donald Marshall on Maurice Blanchot, and Rodolphe Gasche on Martin Heidegger. Finally, Jonathan Arac's afterword brings the volume together and projects a future beyond the Yale Critics.

Throughout, the contributors aim to provide a balanced view of a subject that has most often been treated polemically. While useful as an introduction, The Yale Critics also engages in a serious critical reflection on the uses of the humanities in American today.

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